Sunday, June 14, 2015

The DAW Mixing Console System and Standards

Reason 8.2 Mixing Console Modeled after the SSL-1600 Mixing Console

1.  We need a dongle key system that once Acid Pro 8 and Reason 8.0 and better are installed, you automatically open Acid Pro 8 and Reason 8 in ReWire mode without the Reason dongle key, which you still need to purchase at least once to install the program. 

VST Technology
2. Up Steinberg who is now owned by Microsoft to and the VST technology and instrumentation requirements to about $500, because that is a major key.  VST are great instruments and other important supports like remote access, this USB Mixing Console which totally replaces the need for an audio interface in this setup, sole rationalization of usage other than show and less use of automation technology, is it main features VST.  This has to be a Virtual Studio Technology Device. When you run the speed of USB communication and my engineers need to decide when they will use the IEEE 1394 Fire-wire connection in this system.   Really, once this gets going and I upgrade the Virtual Video Technology an offshoot of VST and will probably be a VST system, this all goes to another level of entertainment and computer systems production.

Reason 8.2 Mixing Console


What I need to see and have unlimited tracks and so forth in the  Reason 8.2 Mixing Console.  My solution to this, we will design our own original Mixing Console in hardware/software factory installed and modulated hardware up gradable devices and hardware that has no more than 12, 18 or  24 tracks lanes of buttons, but like the Axiom 25, you can do everything on it, you can do on a Axiom 61, by simply clicking up and down the octave scales that are placed on the Keyboard.

Something this size in our environment verse Ancient Oversize Show-off Boards 

The professional DAW mixing console will have a button to move from 0-12 tracks, 13-24 tracks or even in 24 track consoles you go from 1-24 tracks and 25-48 tracks with unlimited capabilities depending on your Computer Processor Power and Signal Processor Strength. In fact these mixing consoles will have additional processor power circuitry installed, to make sense of using hardware to begin with.

Now the Mixing console at the studio is made for one person to run and can do everything one of those ancient over size ones can do, plus more, because our Mixing Console will be built by Sony, powered Microsoft and programmed to operate on IBM PC computers.  The key to a professional mixing console is the software applications and the compatibility to the programs being run on them.

Camera Surveillance Systems are inexpensive in the scope of investment

Under this environment can run remote access studio sessions from both side of the Coast, that can be operated from these consoles that gives the artist, engineer or producers full control of all sound reproductions. All needed now is camera placements.  This will be an IBM Surveillance system and or Contract.  For just studio purposes it will be a simple one time investment of a camera placement system and a surveillance system connect to you computer that is used for video conference type applications.


Noise Reduction system

I will give the PTS Movement credit for one damn good addition to our DAW recording system. Using smart phone or even better tablets type devices as lyric reference material.  They read the songs off of smart phone that are just too small for me. We will design a tablet device to connect to the SE Reflection Filter, so the artist can have noise reduction and be able to see the words to the songs both.  And the advice technology will introduce a WiFi system to connect these devices to some type of  finale software screen that scrolls the songs material,


finale software Screen

These musical notations and lyrics scrolls to the music on time, giving the artist who needs to know when to come in and out, the keys and so forth, will have access to this information and maintain the needed degree of noise protection with out a professional soundproof room.  This will take a little bit of skill level from both the setup person and the artist to be able to do this at a professional level.  It will be a little tight, but easy to do. 

I suggest using the zoom level + and see about 4 lines at most, but even two if you need the lettering big enough from the viewpoint and focus points you choose to use to read the words to the song.

Apostle Paul Castellano 




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