The DAW Computer Administrative Environment & Compatibility
By: Apostle Paul Castellano
Compatibility:
There are many Steinberg loyal users and there are many wonderful program already available from them. The one problem they had was finding their market as they competed with Pro Tools, who is a totally different monkey. Steinberg and Propellerhead is V.S.T., Sony is Acid, Propellerhead is REX2, ReWire and a great environment of wave synthesis, Microsoft is Wave, the Operating System and IBM is the foundation, but who is Pro Tools?
The problem with Cubase I had was it used too much power in the V.S.T. environment. VST is to open and many third party dealers are rip offs, without any tech support. While Reason has a great environment for all its instruments and uses only Propellerhead devices offering a uniform workflow, Steinberg is not near as friendly. But Steinberg has the best product, but it is not easy to use.
1. Make an Acid Loop Player into a V.S.T. included in Cubase Pro 9 upgrade.
2. Create a uniform instrumentation system for Steinberg designed V.S.T instruments and send it to Sony as part of their package. Make the protocol for Sony and Cubase compatible.
Meaning change and/or update the file system for each of the areas of technical, consumer and commercial terminology.
Example:
Cubase calls the FX chorus Hall and Sony calls it Grand chorus, but both are no more than presets meant to sound almost the same. Universalize our presets. That is big money, seating around using shit like Reason to create an FX and then name it "The Cool Daddy Sound." Preset 1 thru 50, but the universal code would be some signature from that binary code that created that effect. That is the information we need to sync Cubase and Acid, so when I open a Cubase extension in Acid, it read the universal language to find the best fit for every preset that is being used for the other platform. Because it is really all about assigning instrumentation anyway. Good you found the best file in another program. Sounds almost the same?
But the artist needs to make a decision on what he wants to use, so why not update the date in these programs? If you allocated only 25 MB for data or imagine 100 MB for data in you DAW studio application. Now remember, the main for RAM drainage, power usage and hard drive used is that Studio run Audio and video files constantly. It has nothing to do with having good customer support and being user friendly.
Therefore a studio must has technical binary systematic universal uniformity.
User friendly explanations to reach the intended consumer.
Therefore they can say.
User Friendly message, this sounds like T-Bone whack ass shit.
Technical terminology: Universal Process Code Steinberg 100-100-27 Acid Compatibility: 202-709-93
Name: Steinberg Audio Tune? Got the idea?
3. A universal system to share with already designed audio interfaces by Steinberg with Sony Acid Pro 8 configuration and the Mixing Console being designed by Sony. Meaning the look is one this, but what it triggers is all that matters at the end in D.A.W. technology.
Administrative:
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| Cubase Pro 8 | Cubase Artist 8 | Cubase Elements 8 |
| Ideal for: Professional producers, mixing engineers, composers | Ideal for: Seasoned musicians, project studio owners, bands | Ideal for: Home recordists, bands, singer/songwriters, creative musicians |
| 32-bit/192 kHz Steinberg audio engine with 5.1 surround support | 32-bit/192 kHz Steinberg audio engine | 32-bit/192 kHz Steinberg audio engine |
| Record and mix unlimited audio, instrument and MIDI tracks | Record and mix up to 64 audio and 128 MIDI tracks | Record and mix up to 48 audio and 64 MIDI tracks |
| 256 physical inputs and outputs | 32 physical inputs and outputs | 24 physical inputs and outputs Apostle Paul |
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